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A thin, nagajuban-style garment, considered to be "kimono underwear" and worn underneath the nagajuban. Hadajuban have tube-shaped sleeves and are worn with a slip-like wrap tied around the waist. [2]: 60 [3] Hadajuban are not always worn underneath kimono, and may be substituted for a t-shirt and shorts in the modern day. Hakama
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
Couple being married in formal traditional dress. Kimono range in variation from extremely formal to very casual. For women, the formality is determined mostly by pattern placement, decoration style, fabric choice and colour. For men, whose kimono are generally monochromatic, formality is determined typically by fabric choice and colour.
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
Men's-style cravats were sometimes worn by women in 1914. Woman in 1914 wearing a belted, sailor-collared tunic with a tie. Dancer Irene Castle was an early adopter of bobbed hair, 1914; Grand Duchess Maria Nikolaevna of Russia wears a kimono-style dressing gown in 1915. Oriental styles were in fashion during the decade.
Woman's kimono-style dressing gown with a sash, made in Japan for the Western market, late 19th-early 20th century. Most bathrobes are designed as a wrapped-front garment with belt loops and a matching belt, intended to be tied around the waist to hold the garment closed.
Nightgowns, or dressing gowns, were predominantly worn by men. English variations of the nightgown or dressing gown were influenced by similar gowns from India, Japan and the Middle East. In the early 18th century, the kimono style became popular. It was loose fitting and fit over men like a coat.
[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
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