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The symbols may have been used for ritual or commemorative purposes. [20] If this was so the fact that the same symbols were used for centuries with little change suggests that the ritual meaning and culture represented by the symbols likewise remained constant for a very long duration, undergoing little further development during that time.
Vinča figurine, Cleveland Museum of Art There exist several divisions of the culture, according to J. Chapman (1981) it can be divided into two main phases divided into four sub-phases (A-D), closely linked with those of its type site Vinča-Belo Brdo and dated between 5700 and 4200 BC.
This flourishing culture was the largest known in Europe at that time, extending along the Danube into the Balkans and Central Europe. Thousands of clay statuettes have been discovered in the region's Vinca settlements suggestive of the intense magic-religious practices within the Vinca culture.
This is one of the largest collections of public domain images online (clip art and photos), and the fastest-loading. Maintainer vets all images and promptly answers email inquiries. Open Clip Art – This project is an archive of public domain clip art. The clip art is stored in the W3C scalable vector graphics (SVG) format.
Neolithic clay amulet (retouched), part of the Tărtăria tablets set, supposedly dated to c. 5500–2750 BC and associated with the Turdaș-Vinča culture.. The Tărtăria tablets (Romanian pronunciation: [tərtəˈri.a]) are three tablets, reportedly discovered in 1961 at a Neolithic site in the village of Tărtăria in Săliștea commune (about 30 km (19 mi) from Alba Iulia), from Transylvania.
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When Jesus on the cross allegedly appeared to Afonso Henriques, the first king of Portugal, before the battle of Ouriques, he gave him the Portuguese symbol, the "Quinas", and said "In hoc signo vinces". The motto has been contained on each of the Portuguese flags since. [citation needed] Inscribed on the banner of the Sanfedismo in 1799 [7]
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