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The Palazzo Barberini (English: Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica , the main national collection of older paintings in Rome.
Palazzo Barberini ai Giubbonari, also called Casa Grande Barberini, [1] [2] to distinguish it from the more famous palace in the Trevi district, is a historic palace in Rome. It was the family 's first residence in the papal capital and, even after the construction of the palace at the Quattro Fontane , it remained the home of Taddeo , prince ...
The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the Allegory of Divine Providence and Barberini Power. [3]
The Palast Barberini in a photograph by Ernst Eichgrün, 1907. The Palast Barberini, more recently also known as the Palais Barberini, was a classicist-baroque town house built under the Prussian King Frederick II according to designs by Carl von Gontard between 1771 and 1772 at Humboldtstraße 5/6 in Potsdam.
View of the Palazzo Barberini with the second theatre at the left, labelled "4. Teatro da Comedie", 1699 etching by Alessandro Specchi. The Teatro delle Quattro Fontane ('Theatre of the Four Fountains'), also known as the Teatro Barberini, was an opera theatre in Rome, Italy, designed (in part) by Gian Lorenzo Bernini and built in 1632 by the Barberini family. [1]
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
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His vision for Baroque townhouses is exemplified by the Palazzo Barberini (1629) and Palazzo Chigi-Odescalchi [it] (1664), both in Rome. Sant'Ivo alla Sapienza: Francesco Borromini. Bernini's main rival in Rome was Francesco Borromini, known for breaking away from classical styles. Seen as revolutionary, Borromini rejected the human-centered ...