Search results
Results from the WOW.Com Content Network
Three rockers on Chelsea Bridge Two mods on a scooter. Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
[13] [14] From the 1960s on, due to the media fury surrounding the mods and rockers, motorcycling youths became more commonly known as rockers, a term previously little known outside small groups. [15] The public came to consider rockers as hopelessly naive, loutish, scruffy, motorised cowboys, loners or outsiders. [15]
Other 1960s subcultures included radicals, mods, rockers, bikers, hippies and the freak scene. One of the main transitional features between the beat scene and the hippies was the Merry Pranksters ' journey across the United States with Neal Cassady and Ken Kesey , in a psychedelically painted school bus named Further .
Those who took part in the movement were known by various names, notably dandies, [7] [3] as well as variations like urban dandies [8] and dandy mods. [9] In the 1960s, terms such as "soft mod" or "peacock mod" were commonplace, to contrast from the more aggressive and rude boy influenced "hard mods" who would morph into the skinhead subculture ...
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [141] which examined media coverage of the mod and rocker riots in the 1960s. [142] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
In early 1960s Britain, the two main youth subcultures were Mods and Rockers. The "Mods and Rockers" conflict was explored as an instance of moral panic by sociologist Stanley Cohen in his seminal study Folk Devils and Moral Panics, [65] which examined media coverage of the Mod and Rocker riots in the 1960s. [66]
In 1964, young London Mod Jimmy Cooper, disillusioned with his parents and a dull job as a post-room boy at an advertising firm, vents his teenage angst by taking amphetamines, partying, riding scooters and brawling with Rockers, accompanied by his Mod friends Dave, Chalky and Spider.