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Three rockers on Chelsea Bridge Two mods on a scooter. Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.
The name "rocker" came not from music, but from the rockers found in 4-stroke engines, as opposed to the two stroke engines used by scooters and ridden by mods. [ citation needed ] During the 1950s, [ 9 ] they were known as "ton-up boys" because doing a ton is English slang for driving at a speed of 100 mph (160 km/h) or over.
The motorcycle section was established in 1962 and became known in the mid-1960s for its adoption of the British motorcycling subculture known as 'Rockers', who were at that time seen as "folk devils" at the centre of a moral panic in society due to their clashes with scooter-riding mods (see Mods and Rockers).
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
On 31 January 1998, the Annual Rockers Reunion was being held at the Battersea Arts Centre. [1] The reunion was for members of the rockers subculture of the 1950s and 1960s who had been the opponents of the mods subculture. Members of the Outcasts Motorcycle Club served as the security at the reunion. [1]
On 31 January 1998, a brawl broke out at the Annual Rockers Reunion at the Battersea Arts Centre in South London between the members of the Outcasts biker gang and the Hells Angels. [11] The reunion was for members of the rockers subculture who had fought against the mods in the 1950s and 1960s. [11]
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Mods were obsessed with new fashions such as slim-cut suits; and music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters. The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic ...
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