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Mods and rockers. Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers. The rocker subculture was centred on motorcycling.
Quadrophenia Alley is located between number 10 and 11 East Street Brighton and was the location for a scene in the 1979 film Quadrophenia. The Alley has become a shrine to the Mod movement, [1] and people come from all over the world to find this alleyway. [2] The cult film was set in Brighton in 1964, the period of the Mods and Rockers.
Quadrophenia is a 1979 British drama film, based on the Who 's 1973 rock opera of the same name. It was directed by Franc Roddam in his feature directing debut. Unlike the adaptation of Tommy, Quadrophenia is not a musical film, and the band does not appear live in the film. The film, set in London in 1964, depicts a period of emotional turmoil ...
16–18 May – Violent disturbances between Mods and Rockers in Brighton. 27 May – "Pirate" radio station Radio Sutch begins broadcasting from Shivering Sands Army Fort in the Thames Estuary. [20] 29 May – The official opening of the UK's first undercover shopping centre, at the Bull Ring, Birmingham. [21]
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 [4] by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a ...
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The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [141] which examined media coverage of the mod and rocker riots in the 1960s. [142] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
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