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Head of a Bear is a drawing study made by Leonardo da Vinci circa 1480. It is small in scale, measuring only 7 by 7 centimetres (2.8 in × 2.8 in), and is rendered in silverpoint pencil. It is thought to be part of a study of animals that Leonardo made in this period.
Morris offered him a pencil and paper at two years of age, and by the age of four, Congo had made 400 drawings and paintings. His style has been described as "lyrical abstract impressionism". [3] Media reaction to Congo's painting abilities were mixed, although relatively positive and accepted with interest.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Biological illustration has traditionally employed the techniques of using carbon dust, color pencil, stipple pen and ink, lithography, watercolor and gouache; however, digital illustration has recently become more important in the field. Every professional scientific illustration begins with multiple rough sketches.
Additionally, she had written poems, writings about civil rights, and loose diary-style writings which expressed her thoughts. Her sketchbooks mainly included charcoal and pencil drawings of animals, landscapes, and other designs. Preliminary sketches of her animal sculptures were also included as well as sketches of her son. [4]
A drawing of a fleeing horse was brushed with manganese pencil 2.50 metres above the ground. Some animals are painted on the ceiling and seem to roll from one wall to the other. These representations, which required the use of scaffolding, are intertwined with many signs (sticks, dots, and rectangular signs).
William Huggins (May 1820 – 25 February 1884) [1] was an English artist, from Liverpool, who specialised in drawing animals. [2] Huggins was a member of the Liverpool Academy of Arts. [2] He enjoyed visiting Wombwell's Travelling Menagerie, an animal circus, and the Liverpool Zoological Gardens. [3]
The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm
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