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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
In the 18th century, small paintings of working people remained popular, mostly drawing on the Dutch tradition and featuring women. Much art depicting ordinary people, especially in the form of prints, was comic and moralistic, but the mere poverty of the subjects seems relatively rarely to have been part of the moral message. From the mid-19th ...
A drawing of a fleeing horse was brushed with manganese pencil 2.50 metres above the ground. Some animals are painted on the ceiling and seem to roll from one wall to the other. These representations, which required the use of scaffolding, are intertwined with many signs (sticks, dots, and rectangular signs).
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
Pigcasso (April 2016 – March 2024) was a 700-kilogram (1,500 lb) pig from South Africa whose paintings have sold for millions of rand all over the world. Pigcasso is best known for being the first non-human artist to be given her own art exhibition, and for holding the record for most expensive artwork by an animal ever sold.
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
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