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English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.
The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation. The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not the mass of ...
Frederick C. Robie House, an example of Prairie School architecture. An architectural style is characterized by the features that make a building or other structure notable and historically identifiable. A style may include such elements as form, method of construction, building materials, and regional character.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
English Baroque architecture — an English Baroque architectural style that developed in the late 17th and early 18th centuries.
Medieval architecture was completed with the 16th century Tudor style; the four-centred arch, now known as the Tudor arch, was a defining feature as were wattle and daub houses domestically. In the aftermath of the Renaissance, the English Baroque style appeared, which architect Christopher Wren particularly championed. [18]
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
His baroque, but somewhat classical and gothic architectural form was derived from his exploration of antiquity, the Renaissance, the English Middle Ages and contemporary Italian baroque. Unlike many of his wealthier contemporaries, Hawksmoor never travelled to Italy on a Grand Tour , where he might have been influenced by the style of ...