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The Durango Kid was just another of Columbia's B-western features in its popular Charles Starrett series, with no special distinction except for its standard hero-vs.-villain plotline. In 1945 the studio produced a sequel, The Return of the Durango Kid, which caught on with moviegoers and became a series. Starrett went on to portray The Durango ...
Charles Robert Starrett (March 28, 1903 – March 22, 1986 [1]) was an American actor, best known for his starring role in the Durango Kid westerns.Starrett still holds the record for starring in the longest series of theatrical features: 131 westerns, all produced by Columbia Pictures.
The Rough, Tough West is a 1952 American Western film directed by Ray Nazarro and starring Charles Starrett, Jock Mahoney and Carolina Cotton.This was the sixty-third of 65 films in the Durango Kid series. [1]
The Kid from Broken Gun is a 1952 American western action film directed by Fred F. Sears, and starring Charles Starrett, Jock Mahoney, Angela Stevens, Tristram Coffin, and Myron Healey. The film was released by Columbia Pictures on August 16, 1952. [1] [2] [3] This was the sixty-fifth and final film in the Durango Kid series. [4]
The Return of the Durango Kid is a 1945 American Western film directed by Derwin Abrahams and written by J. Benton Cheney. The film stars Charles Starrett, Tex Harding, Jean Stevens and John Calvert. The film was released on April 19, 1945, by Columbia Pictures. [1] [2] [3] This was the second of 65 films in the Durango Kid series. [4]
This was the seventeenth of 65 films in the Durango Kid series. [2] Plot. This article needs a plot summary. Please add one in your own words.
The Kid from Amarillo is a 1951 American Western film directed by Ray Nazarro and starring Charles Starrett, Smiley Burnette and Harry Lauter. [1] It is part of the Durango Kid series. In Britain it was released under the alternative title Silver Chains. This was the fifty-eighth of 65 films in the Durango Kid series. [2]
A late entry in Columbia's long-running Durango Kid Western series, Cyclone Fury has perhaps the greatest scripting challenge of the series (achieved by writer Barry Shipman). In an effort to save money on production costs and shoot less film in fewer days, Columbia Pictures asked Shipman to economize on his script.