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No. 6 (Yellow, White, Blue over Yellow on Gray) is a 1954 oil on canvas painting in a color field style by Latvian-born American artist Mark Rothko created in 1954. After his experiments with mythological themes and Surrealism to express tragedy he turned to depicting irregular and painterly rectangular regions of color.
It essentially involved abstract paintings with large, flat expanses of color that expressed the sensual, and visual feelings and properties of large areas of nuanced surface. Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting. The overall expanse and gestalt of the work of the early ...
Composition with Red, Blue and Yellow is a 1930 painting [1] by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles. As the title suggests, the only colors used in it besides black and white are red, blue, and yellow.
Mark Rothko (/ ˈ r É’ θ k oÊŠ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
John Opper (1908–1994) was an American painter who transitioned from semi-abstract paintings in the late 1930s to fully abstract ones in the 1950s. He became known for his handling of color and in particular his ability to create dramatic intensity on the picture plane by means of juxtaposed, more-or-less rectangular areas of color.
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]
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