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Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead. This third piano trio was later reworked by Beethoven into the C minor string quintet, Op. 104. [4]
For Viola in E ♭ major; Op. 6, Variations for Piano and Orchestra (Vienna, circa 1798). Theme by Foglar (F major) Op. 7, 3 Fugues on the Style of Handel (Vienna, circa 1799) 1. Fugue in D minor; 2. Fugue in E ♭ major; 3. Fugue in F ♯ minor; Op. 8, Variations for Piano on a Traditional Austrian Song in F major (Vienna, circa 1801)
Piano Trio No. 1 in E minor, Op. 11 (1848) Piano Trio No. 2 in E ♭ major, Op. 22 (1852) Piano Trio No. 3 in E ♭ major, Op. 53 (1856) [The German National Library and Audite site list this work as being in D major, while IMSLP says E♭ major.] Piano Trio No. 4 in D major, Op. 58 (1861) Richard Franck. Piano Trio No.1 in B minor, Op.20 (1893)
The dominance of the piano part does not imply that the late trios are not of the highest quality. Rosen devotes an entire chapter of his book The Classical Style to them, focusing on the works from the 1780s and beyond (Nos. 18–27 and 32–45), while also mentioning two of the early ones (Nos. 5 and 17). [2]
2 String Quartets, Op. 4 (No. 1 in C major, No. 2 in G minor) (1805) Potpourri No. 1 for Violin & String Trio, Op. 5 (1832) Theme and Variations for String Quartet, Op. 6; Violin Concerto No. 3 in C major, Op. 7 (1805) Theme and Variations for String Quartet, Op. 8; 2 Concertant Duos for 2 Violins, Op. 9 (1808)
Piano Concerto No. 2 in E minor, Op.85; Bravura Variations on 'God Save the King', Op.99; Introduction and Rondo Brilliant in C major for piano and orchestra, Op.101; Adagio ed Allegro di bravura, Op.102; Piano Concerto No. 3 in A minor, Op.107; Le Rêve, Op.113; Concerto for two pianos in C major, Op.125; Piano Concerto No. 4 in A flat major ...
The trio was written on January 18–21, 1892 in Moscow, when the composer was 18 years old. The work was first performed on January 30 of the same year with the composer at the piano, David Kreyn at the violin and Anatoliy Brandukov at the cello. [1] It waited until 1947 for the first edition to appear, and the trio has no designated opus number.
The trio was premiered on February 1, 1840, at the Leipzig Gewandhaus by violinist Ferdinand David, cellist Franz Karl Witmann, and Mendelssohn at the piano. Robert Schumann praised the trio as "the master-trio of our time, even as Beethoven's B-flat and D and Schubert's E-flat at their time, this will delight to the future generation."
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