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Most songs in the first season are performed by the cast of Bombshell, which consistently includes Karen Cartwright (Katharine McPhee) and Ivy Lynn (Megan Hilty), and, at times, Michael Swift and Rebecca Duvall (Uma Thurman).
"Let Me Be Your Star" is an original song introduced in the first episode of the first season of the musical TV series Smash, entitled "Pilot". It was written by Marc Shaiman and Scott Wittman, [1] but in the show's universe, it was written by songwriting duo Tom Levitt (Christian Borle) and Julia Houston (Debra Messing) for the Marilyn Monroe musical they are working on, Bombshell.
Megan Hilty (born March 29, 1981) [1] is an American actress and singer. She rose to prominence for her roles in Broadway musicals, including her performance as Glinda in Wicked , Doralee Rhodes in 9 to 5: The Musical , and her Tony Award –nominated role as Brooke Ashton in Noises Off .
"A Letter from Cecile" is an original song introduced in the sixth episode of the second season of the musical TV series Smash, entitled "The Fringe".It was written by Marc Shaiman and Scott Wittman, but within the show's universe, it was written by an unnamed composer for the Liaisons musical that Ivy Lynn (Megan Hilty) is in.
The song is featured as a track on the cast albums The Music of Smash and Bombshell. The version on the released track is by Megan Hilty and Will Chase, as seen in episode 6. The song is also covered by the UK band Steps on their album Light Up the World.
But it was. In fact, that episode-ending performance of 'Let Me Be Your Star' (featuring dueling divas Megan Hilty and Katharine McPhee) was among TV's most watchable and gleeful three minutes of the year. Rare is the series whose high-water mark is its pilot, and Smash is a shining example." [74]
More than 10 years after Smash was cancelled, Katharine McPhee is still blown away by Megan Hilty's performances.. On Thursday, Dec. 12, McPhee, 40, shared a photograph on Instagram of herself ...
Rachel Syme, 'Smash' finale recap: Let Megan Hilty be your star, Los Angeles Times. Chris Rovzar of Vanity Fair comments that "the lyrics were terrible and the composition spotty", and questions whether this was because within the context of the episode, "Tom and Julia supposedly did write it in just three hours", or because Shaiman and Wittman ...