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Freak scene music was an eclectic mixture based around progressive rock and experimentalism. There were crossover bands bridging rock and jazz , rock and folk , rock and sci-fi ( space rock ). BBC radio presenter John Peel presented a nightly show that featured the music.
[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967, Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and phrased the famous words, "Turn on, tune in, drop out".
Paulekas at a street festival in Los Angeles. Vitautus Alphonsus "Vito" Paulekas (20 May 1913 – 25 October 1992) was an American artist and bohemian, who was most notable for his leading role in the Southern California "freak scene" of the 1960s, and his influence on musicians including The Byrds, Love and Frank Zappa.
"The band's baroque House of Usher apartment on London's Shaftesbury Avenue had witnessed pre-Raphaelite hippy scenes, like Sandy the bass player (of The Deviants and Pink Fairies), Tony the now and again keyboard player, and a young David Bowie, fresh from Beckenham Arts Lab, sunbathing on the roof, taking photos of each other and posing coyly ...
The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. [6] The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the vestiges of entrenched segregation, starting with the lunch counter sit-ins of 1960 in Greensboro, North Carolina, and Nashville, Tennessee.
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Promotional poster for the Woodstock music festival, 1969. Free jazz is an approach to jazz music that was first developed in the 1950s and 1960s. Although the music produced by free jazz composers varied widely, the common feature was a dissatisfaction with the limitations of bebop, hard bop, and modal jazz, which had developed in the 1940s ...