Search results
Results from the WOW.Com Content Network
The Ashmolean Museum of Art and Archaeology (/ æ ʃ ˈ m oʊ l i ən, ˌ æ ʃ m ə ˈ l iː ən /) [2] on Beaumont Street, Oxford, England, is Britain's first public museum. [3] Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677.
The main entrance of the Ashmolean Museum in central Oxford. The Oxford University Museum of Natural History viewed from Museum Road. The following museums and art galleries are located in the city of Oxford, England (with locations), many run by the University of Oxford: [1] [2] Ashmolean Museum * (Beaumont Street)
It is perhaps the best-known painting in the Ashmolean Museum, Oxford, England. [1] The painting is an early example of the effective use of perspective in Renaissance art, with the hunt participants, including people, horses, dogs and deer, disappearing into the dark forest in the distance. It was Uccello's last known painting before his death ...
The Weld-Blundell Prism ("WB", dated 1800 BCE) is a clay, cuneiform inscribed vertical prism housed in the Ashmolean Museum in Oxford. [2] The prism was found in a 1922 expedition in Larsa in modern-day Iraq by British archaeologist Herbert Weld Blundell. [3]
The Arundel marbles (Oxford : University of Oxford, Ashmolean Museum) Michael Vickers, Arundel and Pomfret Marbles in Oxford (Ashmolean Museum) ISBN 1-85444-207-4 Benjamin Anderson, curator, The Invention of Antiquity , exhibition at Bryn Mawr, 2004 : "Epigraphy and Wanderlust"
Between 1884 and 1908 he was curator of Oxford's Ashmolean Museum, becoming the founding member of the British Academy in 1902 and professor of prehistoric archaeology at Oxford in 1909. The John Evans collection, housed at Oxford's Ashmolean Museum, comprises more than 12,000 objects, including a large proportion of British Palaeolithic stone ...
Ashmole bequeathed the remainder of his collection and library to Oxford for the Ashmolean Museum. Two-thirds of his library now resides in the Bodleian at Oxford; its separation from the museum collection in the Victorian era [39] [40] contributed to the belief that Ashmole designed the museum around the Tradescant collection, rather than his ...
It was painted in Rome for Prince Lorenzo Onofrio Colonna (1637–1689), Claude's most important patron in his last years, and is now in the Ashmolean Museum, Oxford. It is signed, dated with the year, and inscribed with the subject (at centre bottom), as Claude sometimes did with his less common subjects. [1]