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Periorbital puffiness, also known as puffy eyes, or swelling around the eyes, is the appearance of swelling in the tissues around the eyes, called the orbits. It is almost exclusively caused by fluid buildup around the eyes, or periorbital edema. Minor puffiness usually detectable below the eyes only is often called eye bags.
"In the Morning" is a song by American rapper J. Cole, originally released on his third mixtape Friday Night Lights (2010) and included on his debut studio album Cole World: The Sideline Story (2011). The song, produced by L&X Music, features Canadian hip hop recording artist Drake.
"In the Morning" is a song recorded by American entertainer Jennifer Lopez. It was written by Daniel Rondon, Jackson Foote, James Abrahart, Lopez, Jeremy Dussolliet, Johnny Simpson, Patrick Ingunza, and Tim Sommers, while the production was handled by Foote and Simpson.
Waking up during this time can mean that you're backed up with "waste" in the form of negative emotions, and that you need to process them in order to flush them out.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Fleet Foxes covered this song for Record Store Day 2018, backing a choral version of their song Crack-Up. They subsequently covered the song on their live albums A Very Lonely Solstice in 2020 and Live on Boston Harbor in 2024. The Bluegrass 45 released a bluegrass version as the title song of the 1973 LP In the Morning (Rebel SLP 1516)
The authorship and origin of the song are unknown, but it bears a resemblance with the traditional Irish folk song Óró sé do bheatha abhaile due to its shared chord progression and use of repeated lyrics over melodic sequences. Melody and first verse of "Drunken Sailor", culled from R. R. Terry's The Shanty Book, Part One (1921). Play ⓘ
The song is a medium-tempo twelve-bar blues that features Williamson's vocal and harmonica accompanied by Robert Lee McCoy (later known as Robert Nighthawk) and Henry Townsend on guitars. [6] He incorporated his signature "call-and-response style of alternating vocal passages with pungent harmonica blasts" that became a fundamental of blues ...