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Finally, man was constructed from maize, the Mayans staple and sacred food. The deity Itzamna is credited as being the creator of the calendar along with creating writing. [1] The Aztec people had several versions of creation myths. One version of the myth includes four suns, each representing one of the four elements.
The first pre-Columbian art to be widely known in modern times was that of the empires flourishing at the time of European conquest, the Inca and Aztec, some of which was taken back to Europe intact. Gradually art of earlier civilizations that had already collapsed, especially Maya art and Olmec art , became widely known, mostly for their large ...
Inca mythology of the Inca Empire was based on pre-Inca beliefs that can be found in the Huarochirí Manuscript, and in pre-Inca cultures including Chavín, Paracas, Moche, and the Nazca culture. The mythology informed and supported Inca religion. [1] One of the most important figures in pre-Inca Andean beliefs was the creator deity Viracocha.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
The Inca destroyed and burned most of their remains. The Cañari's old city was replaced twice, first by the Incan city of Tumebamba and later on the same site by the colonial city of Cuenca. The city was also believed to be the site of El Dorado, the city of gold from the mythology of Colombia.
Guarani mythology – an indigenous people of the Gran Chaco, especially in Paraguay and parts of the surrounding areas of Argentina, Brazil, and Bolivia and Some regions in the southern part of South America. Inca mythology (Religion in the Inca Empire) – a South American empire based in the central Andes mountain range.
The oldest surviving written account of Popol Vuh (ms c. 1701 by Francisco Ximénez, O.P.). Popol Vuh (also Popul Vuh or Pop Vuj) [1] [2] is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador.
Following this initial phase, the 1913 publication of Herbert Spinden's 'A Study of Maya Art' laid the foundation for all later developments of Maya art history (including iconography). [1] The book gives an analytical treatment of themes and motifs, particularly the ubiquitous serpent and dragon motifs, and a review of the 'material arts ...