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"Isn't She Lovely" is a song by Stevie Wonder from his 1976 album, Songs in the Key of Life. The lyrics celebrate the birth of his daughter, Aisha Morris. Wonder collaborated on the song with Harlem songwriter and studio owner Burnetta "Bunny" Jones. [1]
"Isn't She Lovely" (Stevie Wonder) (From Songs in the Key of Life) – 3:20 "I Just Called to Say I Love You" (Wonder) (From the Original Motion Picture Soundtrack The Woman in Red) – 4:22
By 1976, Stevie Wonder had become one of the most popular figures in R&B and pop music, not only in the U.S., but worldwide. Within a short space of time, the albums Talking Book, Innervisions and Fulfillingness' First Finale were all back-to-back-to-back top five successes, with the latter two winning the Grammy Award for Album of the Year in 1974 and 1975, respectively.
Parton then sang a cover version of Stevie Wonder's "Isn't She Lovely" which he again co-produced with Hatch. When the original contracted singer (Marcel King from Sweet Sensation) was unable to re-create Wonder's vocal nuances, rather than dispose of the backing track, Parton sang the lead vocal, and it was decided to issue this version. [ 1 ]
Characters is the twenty-first studio album by American singer-songwriter Stevie Wonder, released in late 1987 on Tamla Records. [12] The album features six singles including the Grammy-nominated "Skeletons" (No. 19) and "You Will Know" (No. 77), which both reached number one on the Billboard R&B Singles chart (the former being the most-recent American top-40 hit of Wonder's career).
This isn’t the end; this is half of something. That’s kind of where that came [from], but [it was] also a break in the act of my life. ... because she is so lovely, and it’s her. She is ...
A man who was running away from police has been arrested after getting stuck in a chimney while trying to hide from them, authorities said. The incident occurred on Tuesday evening in Fall River ...
Robert Palmer of the New York Times described Stevie Wonder's Original Musiquarium as "an impressive album" where "the songs flow into one another and are grouped loosely into four categories - protest funk on Side One, sophisticated ballads and lightly swinging rhythm tunes on Side Two, tributes to various influences and inspirations on Side Three, and dance tunes with jazz-like chord ...