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Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944)
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Hans Johannes Siegfried Richter (/ ˈ r ɪ k t ər /; German: [ˈʁɪçtɐ]; 6 April 1888 – 1 February 1976) was a German Dada painter, graphic artist, avant-garde film producer, and art historian. In 1965 he authored the book Dadaism about the history of the Dada movement.
[6] An active artist, primarily a photographer, as well as activist in the service of modern art, Stieglitz provided an avenue for the thought and work of the proto-Dada artists as well as the Dada artists with his journal and gallery, both named 291. Stieglitz first made contact with the (soon to be) Dadaists at the notorious Armory show of ...
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Georges Ribemont-Dessaignes (June 19, 1884 – July 9, 1974) was a French writer, poet, playwright, and painter associated with the Dada movement. He was born in Montpellier and died in Saint-Jeannet. In addition to numerous early paintings, Ribemont-Dessaignes wrote plays, poetry, manifestos and opera librettos.
Kate T. Steinitz: art into life into art : a retrospective of the life and work of one of the most diverse Bauhaus and Dada artists. Irvine, Calif: The Museum. Kate Steinitz: Art and Collection: Avant-Garde Art in Germany in the 1920s and 1930s. San Bernardino, CA: The Art Gallery, California State College San Bernardino, April 10 - May 14, 1982.
In 1949, he introduced Picasso to art dealer Heinz Berggruen (thus helping start their lifelong partnership), [163] and, in 1951, wrote the catalog for an exhibit of works by his friend Max Ernst; the text celebrated the artist's "free use of stimuli" and "his discovery of a new kind of humor."