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Wayne C. Henderson is an American guitar maker who specializes in the crafting of handmade, custom acoustic guitars. He also occasionally makes other stringed instruments, such as mandolins, banjos, and fiddles.
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
Bill Monroe, a Kentucky fiddler and mandolin player, was the first to bring all of the elements of this new genre together. Monroe developed a distinctive style of mandolin playing which emphasized strong syncopation and chording, and played in keys, such as E and B, seldom used by old-time and country musicians.
Due to a shift in the guitar market from acoustic instruments to electric instruments, the Favilla company ceased production in 1973. However Herk and his son Tom continued building custom instruments until their retirements, in 1980 and 1986, respectively. [1] They were often associated with the folk music revival of the 1960s.
Michael Kelly imports high quality instruments manufactured to their specifications (mainly from South Korea). The company has recently gained popularity, particularly due to the release of their new Mod Shop Guitars, where they take some of their standard designs and swap out the pickups using Lindy Fralin, Seymour Duncan, TV Jones, Bare ...
Lotus from the mid 1990s is in the shape of a mutated fender jazzmaster. Lotus was a house brand belonging to Midco International of Illinois. The brand was applied to guitars, basses, banjos, and mandolins made in various Asian factories from the late 1970s until the early 2000s.
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The Eccleshall Scimitar (24.75" scale), Barracuda (25.5") and Excalibur bass have original shapes based on outward curves, rather than the inward curves of traditional electric guitars derived from the rounded classical guitar - and the pointed lower horn of the Scimitar is reminiscent of that of the Gibson mandolin.
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