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The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact that Euripides' version of the myth portrays Orestes being found guilty and ...
The three plays that make up the Achilleis exist today only in fragments, but aspects of their overall content can be reconstructed with reasonable certainty. Like the Oresteia which forms "a narratively connected unit with a continuous plot," [ 1 ] the trilogy had a unified focus, presumably treating the story of Achilles at Troy in a version ...
Aeschylus is also said to have made the costumes more elaborate and dramatic, and made his actors wear platform boots (cothurni) to make them more visible to the audience. [46] According to a later account of Aeschylus' life, the chorus of Furies in the first performance of the Eumenides were so frightening when they entered that children ...
While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a prohibition against burying Polynices; his sister Antigone, however, announces her intention to defy this edict.
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The Eumenides, the third part of Aeschylus' Greek tragedy, the Oresteia Topics referred to by the same term This disambiguation page lists articles associated with the title Eumenides .
Finally, Athenaeus (a grammarian of the 2nd and 3rd centuries AD) wrote in Book 15.16 of his Deipnosophists the following regarding a contemporary Athenian festival dedicated to Prometheus: "Aeschylus clearly states in the Unbound that in honor of Prometheus we place a garland on the head as recompense of his bondage."