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"I'm Still Here" was written during the out of town tryout for Follies in Boston, when Sondheim decided that another song ("Can That Boy Foxtrot") was not working. This song had been written as a throwaway song for a minor character, but Yvonne De Carlo was a high-profile name in the cast, and the creative team felt she deserved a more substantial song.
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman. The plot centers on a crumbling Broadway theater , now scheduled for demolition, previously home to a musical revue (based on the Ziegfeld Follies ).
I'm Still Here, a 2010 album by Mindy McCready "I'm Still Here", a song from Stephen Sondheim's musical Follies "I'm Still Here" (Vertical Horizon song) "I'm Still Here (Jim's Theme)," a 2002 song by John Rzeznik "I'm Still Here," a song by The Notations "I'm Still Here," the final, hidden track on the 1991 album Woodface by Crowded House "I'm ...
Stephen Joshua Sondheim (/ ˈ s ɒ n d h aɪ m /; March 22, 1930 – November 26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. [1]
Six by Sondheim is an HBO television documentary which pays tribute to Broadway composer and lyricist Stephen Sondheim. The film was directed and co-produced by James Lapine , based on an idea by Frank Rich [ 1 ] and "centers on the backstory of six great Sondheim songs".
As his last musical “Here We Are” confirms, Stephen Sondheim died happy, at the top of his lyrical and compositional game and clearly in love. “To love is to live” was a Sondheim creed. So ...
After media outlets mistakenly reported that the show had the working title Buñuel, Sondheim clarified the show title had yet to be decided. [11] In June 2019, The Public Theatre denied reports that it would be part of its 2019–20 season, as it was still in development, but would be produced "when it is ready". [12]
“Here We Are” delights in the flavor of its vapid jet-sets, but ultimately spits them out in a resolution that betrays its own internal logic. It’s too much, and robs the show of its ...