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Popular early 1970s fashions for women included Tie dye shirts, Mexican 'peasant' blouses, [14] folk-embroidered Hungarian blouses, ponchos, capes, [15] and military surplus clothing. [16] Bottom attire for women during this time included bell-bottoms , gauchos, [ 15 ] [ 17 ] frayed jeans , midi skirts , and ankle-length maxi dresses .
Marama is decorated with white patterns woven onto a white background and often grouped toward the ends. In Argeș, the patterns can include coloured geometric motifs. [14] After the wedding ritual – "bride's binders", "bride undressing" – the godmother traditionally gifts the bride a basma or maramă. [15]
Blouse is a loanword from French to English (see Wiktionary entry blouse). Originally referring to the blue blouse worn by French workmen, [3] the term "blouse" began to be applied to the various smocks and tunics worn by English farm labourers. In 1870, blouse was first referenced as being "for a young lady." [9]
The blouse (Bluse) is worn under the bodice, and is cropped above the midriff. The blouse changes the overall effect of the dirndl particularly through the cut of its neckline. A deeply cut blouse combines with a deeply cut bodice to accentuate décolletage, whereas a blouse with a high neckline gives a more modest effect.
A kosovorotka (Russian: косоворо́тка, IPA: [kəsəvɐˈrotkə]), also known in the West as a Russian peasant shirt or Tolstoy shirt (tolstovka). The name comes from the Russian phrase kosoy vorot (косой ворот), meaning a “skewed collar”.
For centuries, peasant women typically wore a halter top underneath a blouse or overcoat, alongside a skirt (váy or quần không đáy). It was until the 1920s in Vietnam's north area in isolated hamlets where skirts were worn. [2] Before the Nguyễn dynasty, the cross-collared robe (áo tràng vạt) was worn popularly. [3] [4]: 295
The "La Malinche" huipil Huipil, 1875–1890, Warp-faced plain weave cotton, Patzun, Guatemala (probably) V&A Museum no.T.23-1931After the Spanish conquest of the Aztec Empire and subsequent Spanish expansion, the huipil endured but it evolved, incorporating elements from other regions and Europe. [3]
A geometric pattern woven in the past by adding red or black threads into the light thread was later imitated by embroidery and believed to have the power to protect a person from all harm. [ 10 ] : 278 There is a saying in Ukrainian "Народився у вишиванці" which is translated as somebody was born wearing vyshyvanka, so that ...
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