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The Songs of Joy (watercolor circa 1896–1902 by James Tissot) Song of the Sea from a Sefer Torah. The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18.
I am the Bread of Life (John 6:35) I am the Light of the World (John 8:12) I am the Door (John 10:9) I am the Good Shepherd (John 10:11,14) I am the Resurrection and the Life (John 11:25) I am the Way and the Truth and the Life (John 14:6) I am the Vine (John 15:1,5)
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
The righteous and the sinful may be separated by the path they choose. Psalm 1 sees two paths laid out for man, "ruin's way" where "wicked counsel leads," or the way of God. This Psalm shares the motif of paths or "the way", especially choosing the right path, with the Bible; the opening line of Psalm 1 refers to "tread[ing]" the right path ...
According to the Hebrew Bible, in the encounter of the burning bush (Exodus 3:14), Moses asks what he is to say to the Israelites when they ask what gods have sent him to them, and YHWH replies, "I am who I am", adding, "Say this to the people of Israel, 'I am has sent me to you. ' " [4] Despite this exchange, the Israelites are never written to have asked Moses for the name of God. [13]
Holy Sonnet VIII – also known by its opening words as If Faithful Souls Be Alike Glorified – is a poem written by John Donne, an English metaphysical poet. It was first published in 1633, two years after the author's death. [1] It is included in the "Holy Sonnets," a collection of nineteen poems written by John Donne.
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Directly across the water, these images (and the direct imperative "Listen!") were to be later echoed by Matthew Arnold, an early admirer (with reservations) of "Intimations", in his poem "Dover Beach", but in a more subdued and melancholy vein, lamenting the loss of faith, and in what amounts to free verse rather than the tightly disciplined ...