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The Mass for Five Voices is a choral Mass setting by the English composer William Byrd (c. 1540–1623). It was probably written c. 1594 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which Byrd published in the early 1590s.
Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing; Alleluia! Alleluia! Praise the Lord; Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson ...
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that ...
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei , a part of the Mass , for mixed chorus with optional organ or piano accompaniment.
Almost all Catholic liturgical music composed before the middle of the 20th century, including thousands of settings of the ordinary of the mass (Gloria, Credo, Sanctus, Agnus Dei), the ordinary and proper of the Requiem mass, psalms, canticles (such as the Magnificat), antiphons, and motets. Famous examples include:
Agnus Dei (in three sections: I, II, III) Agnus Dei (II) from Missa l'homme armé super voces musicales. The entire Agnus Dei II consists of a three-part mensuration canon. The middle voice is the slowest; the lowest voice sings at twice the speed of the middle voice, and the top voice at three times the speed.
The Gloria, Credo and Agnus Dei all begin with a two-part semichoir section, a standard feature of early Tudor Mass cycles. The three clauses of the Agnus Dei are set respectively in two, three and four parts. The Kyrie, as the movement least indebted to English models, has no reduced scoring and employs dense imitation in Continental style.
Agnus Dei, qui tollis peccata mundi: dona eis requiem sempiternam. Lamb of God, Who takest away the sins of the world, grant them rest. Lamb of God, Who takest away ...