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The Casa da Moeda was established at least in the late 13th century. It produced legal tender coins and banknotes. It also produced medals and security prints (i.e., passports, subway tokens, postage stamps) that are used and issued by government-run service providers. In 1972 it was merged with the Imprensa Nacional (National Press) into ...
At the end of the 14th century, was the first reference to the Portuense Casa da Moeda (House of Coin) during the reign of King D. Fernando I, that allowed dating of the open space in the principal entrance. [1] In 1587, was the last reference to the work on the Casa da Moeda, but a few years later (1607), a royal letter extinguished the ...
The first architect of the Palácio was Joaquim da Costa Lima Júnior, who was in charge of the project from 1840 until 1860. He was responsible for the general design of the building, inspired by the Neopalladian architecture that was in fashion in Porto since the late 18th century, expressed in buildings like the Hospital of St Anthony (by English architect John Carr), the English Factory ...
The Casa da Moeda issued notes for 5, 10, and 20 centavos between 1917 and 1925 whilst, between 1913 and 1922, the Banco de Portugal introduced notes for 50 centavos, 1, 2 + 1 ⁄ 2, 5, 10, 20, 50, 100, 500 and 1,000. 50 centavos and 1 notes ceased production in 1920, followed by 2 + 1 ⁄ 2, 5 and 10 in 1925 and 1926. 5,000 notes were ...
The centavo coins are minted in Lisbon by the Imprensa Nacional-Casa da Moeda, the Portuguese national mint. Unlike coins issued for the Panamanian balboa or the Ecuadorian centavo , the East Timorese coins are not identical in size to their U.S. cent counterparts.
Casa da Moeda do Brasil; Casa da Moeda de Portugal; Central Mint (Taiwan) Currency Centre, Ireland; Dahlonega Mint (United States of America) Fábrica Nacional de Moneda y Timbre, Spain; Finland Mint; Franklin Mint (United States of America) India Government Mint; Printer Institute and State Mint, Italy, the first mint to produce bi-metallic ...
António Nobre's correspondence is compiled in several volumes: Cartas Inéditas a A.N., with an introduction and notes by A. Casais Monteiro, Cartas e Bilhetes-Postais a Justino de Montalvão with a foreword and notes by Alberto de Serpa, Porto, 1956; Correspondência, with an introduction and notes by Guilherme de Castilho, Lisbon, 1967 (a ...
1988: Centro de Arte Moderna, Lisbon and Casa de Serralves Museum, Porto (catalogue texts by Fernando de Azevedo, Maria Helena de Freitas, Rui Mário Gonçalves, Júlio Pomar and José Sommer Ribeiro). 1995: Sala Nobre da Secretaria Regional da Educação e Cultura Angra do Heroísmo, Azores (catalogue text by Ruth Rosengarten).
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