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The main Spanish-language version of Mr. Arkadin (93 mins) was filmed back-to-back with the English-language version and was the first to be released, premiering in Madrid in March 1955. Although the cast and crew were largely the same, two characters were played by Spanish actors: Amparo Rivelles plays Baroness Nagel and Irene Lopez Heredia ...
When the outbreak passes, British and French forces win at Alma, but Lord Raglan refuses to allow the cavalry to press the advantage, so concerned is he with keeping the cavalry as an undamaged reserve. As a result, the Russians reinforce the road to Sebastopol, necessitating a series of further battles before the British even reach the city ...
The Redgrave family is a British acting dynasty, spanning five generations. Members of the family worked in theatre beginning in the nineteenth century, and later in film and television. Some family members have also written plays and books. Vanessa Redgrave is the most prominent, having won Oscar, Tony, Golden Globe and Emmy Awards.
The Radio Times Guide to Films gave the film 3/5 stars, writing: "Angry young men were abundant in the British cinema of the 1960s, but they were never so irate as working-class artist David Warner, who tries to sabotage the second marriage of his middle-class ex-wife Vanessa Redgrave to art dealer Robert Stephens by rewiring their house and ...
The film holds a 19% rating on Rotten Tomatoes from a total of 26 reviews, indicating strong dislike. [10] Several critics lamented the film's sluggishness; John DeFore of The Hollywood Reporter called the film "more lifeless than its namesake's long-dead body," [ 11 ] while David Lewis of the San Francisco Chronicle labeled it "a Merchant ...
A short-title catalogue (or catalog) is a bibliographical resource that lists printed items in an abbreviated fashion, recording the most important words of their titles. . The term is commonly encountered in the context of early modern books, which frequently have lengthy, descriptive titles on their title pa
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Rotten Tomatoes, a review aggregator, reports that 60% of five surveyed critics gave the film a positive review; the average rating is 4.56/10. [13] Dave Kehr of the Chicago Reader wrote, "Even on this despairing level of fly-by-night filmmaking, Ulmer's treatment remains resolutely personal, and the film, though visually slack, emerges as ...