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The second notable difference was the features and control layout. Guitar Player magazine reviewed the amp in its "Exotica" feature, December 2002. The article specifies details of the amp, including price, and its control layout:
A guitar speaker cabinet is typically a wooden box that contains one or more guitar speakers. The smallest guitar cabinets have one 6.5" or 8" speaker; these are usually practice amplifier units designed for private practice. Some cabinets designed for rehearsals and small- to mid-size venues contain two 10" or 12" speakers.
The amplifier was reissued for the first time in 1988 (the 1959S), and again from 1991 to 1993 (the 1959X) and from 1993 to 1995 (the 1959SLP). [1] The SLP continued after 1995 but in 2000 Marshall added modifications to lower the noise floor (hum balance pot), reverted the negative feedback resistor to the 1968-69 value of 47 kΩ, and added an effects loop.
The first version of the Marshall stack was an amp head on an 8×12 cabinet, meaning a single speaker cabinet containing eight 12" guitar speakers. After six of these cabinets were made, the cabinet arrangement was changed to an amp head on two 4×12 (four 12" speakers) cabinets to make the cabinets more transportable.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972.. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s."
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
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Hammond was not interested in marketing or selling the speakers, so Leslie sold them himself as an add-on, targeting other organs as well as Hammond. Leslie made the first speaker in 1941. The sound of the organ being played through his speaker received national radio exposure across the US, and it became a commercial and critical success.