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Patrick Joseph Cowley (October 19, 1950 – November 12, 1982) was an American disco and hi-NRG dance music composer and recording artist, best known for his collaborations with disco singer Sylvester.
Frank Loverde (or simply Loverde; 1947–1990) was an American disco and Hi-NRG singer and musician active during the 1980s. Based in San Francisco, Loverde worked with record producer Patrick Cowley on his greatest success; Die Hard Lover, released in 1982.
"Do Ya Wanna Funk" is a 1982 dance song recorded by American recording artists Sylvester and Patrick Cowley.It was produced by Cowley, who incidentally died the same year. The song was mostly successful in Europe, especially in Belgium, Finland and Norway, where it became a top-10
Cheon got into porn music unexpectedly: He discovered Patrick Cowley’s music, but he didn’t realize the composer had created porn scores until years later. When Cheon first heard Cowley’s ...
Megatone Records was an independent music label specializing in disco and created in San Francisco in 1981 by Patrick Cowley and Marty Blecman. [1] [2] [3] The label name was derived from Cowley's 1981 high energy disco song, "Megatron Man". [citation needed] In 1983, musician Sylvester became a partner of Megatone Records. [4]
Patrick Cowley " Menergy " is a 1981 dance single by producer Patrick Cowley . “One day, while we were recording that album,” Marty Blecman, a former disc jockey and Cowley's business partner, wrote before his death in 1991, “We got high and I added an ‘M’ in front of title track called ‘Energy,’ and we came up with all these ...
Patrick Cowley - all instruments, arrangements; Jo-Carol Block, Lauren Carter, Paul Parker - vocals Erica Buffett, J. Forrest Knight, Jeff Mehl, Jim Saunders, Jo-Carol Block, John Hedges, Lauren Carter, Mary Buffett, Michael Bailey, Nicole Buffett, Peter Buffett, Stacey Sudduth - vocal chants ("Primitive World")
During production of the album, Sylvester invited the musician Patrick Cowley to join his studio band, being impressed by Cowley's innovative techniques using synthesizers. The album landed Cowley a job as a back-up musician on Sylvester's subsequent worldwide tours, and the two started a close friendship and collaboration. [70]