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Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
A pinch pot is a simple form of hand-made pottery produced from ancient times to the present. The pinching method is to create pottery that can be ornamental or functional, and has been widely employed across culture. The method used is to simply have a lob of clay, then pinch it to the shape desired.
The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience. Typically the body is first fired in a kiln to convert it into a hard porous biscuit .
The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.
The company was originally called Pickard China Studio and it specialized in hand-decorating dessert and tea sets. Pickard assembled a group of men and women china painters, many emigrating from Europe, to create this uniquely American style of hand-painted china. Many of the company's original artists were from the Art Institute of Chicago.
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
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The movement was strongly linked with the fashion for national and international competitions and awards in the period, with the World's fairs the largest. America's first of these was the Centennial Exposition in Philadelphia in 1876, which "was a critical catalyst for the development of the American Art Pottery movement", both because American commercial potteries exerted themselves to ...
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