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Dio, Gone to Heaven (天国に到達したDIO, Tengoku ni Tōtatsu-shita Dio) is the main antagonist in the story mode of JoJo's Bizarre Adventure: Eyes of Heaven, being a version of Dio from an alternate universe where he killed the Joestar Group in the 1980s and executed his vision of "obtaining heaven" by sacrificing 36 evil souls and ...
Eyes of Heaven is designed to be a 3D action brawler with tag-team elements set in large arenas based on locations in the JoJo's Bizarre Adventure manga. Players may pick a single character to control in a large environment, as well as a second character that may be controlled by either a CPU or second human player to fight the enemy team for a 2v2 battle.
Mamoru Miyano (宮野 真守, Miyano Mamoru, born June 8, 1983) is a Japanese actor and singer. He is known for his voice roles in anime series and films, specials, original video animation, and video games.
The battle ends with Jotaro defeating Dio using the time-stop ability and subsequently killing him, [28] [23] before transfusing Dio's blood back into Joseph, and destroying the vampire for good by exposing his remains to the sun. Jotaro and Joseph then bid Polnareff farewell before returning to Japan, as Holly has made a full recovery.
Jonathan and Dio, the protagonist and antagonist, were created with the duality of light and shadow in mind, with the intention to have them contrast against each other: Dio was depicted as the embodiment of evil, and Jonathan as "fundamentally virtuous" and just. Araki also made use of black and white in his art to further contrast the two. [4]
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Angry Machines is the seventh studio album by American heavy metal band Dio.It was released first in Japan on October 4, 1996, [3] by Mercury Records with 11 tracks and in the US on October 15, 1996, by Mayhem Records but with only 10 tracks.
Strange Highways is the sixth studio album by American heavy metal band Dio. It's also their first album since Ronnie James Dio and Vinny Appice 's reunion tour with Black Sabbath . The European release was on Vertigo Records , in October 1993; the U.S. release was on Reprise Records , in January 1994.