Search results
Results from the WOW.Com Content Network
In 1979 Reed said "Saying 'I'm a Coney Island baby' at the end of that song is like saying I haven't backed off an inch. And don't you forget it." [ 8 ] [ 9 ] It is a direct continuation of the poem "The Coach and Glory of Love", written by Reed and published in the Fall 1971 edition of The Harvard Advocate .
Blood Money is the fifteenth studio album by Tom Waits, released in 2002 on the ANTI-label. It consists of songs Waits and Kathleen Brennan wrote for Robert Wilson's opera Woyzeck. Waits had worked with Wilson on two previous plays: The Black Rider and Alice. Alice was released with Blood Money simultaneously in 2002.
"Goodbye, My Coney Island Baby" is a popular barbershop song composed in 1924 by Les Applegate. [ 1 ] [ 2 ] The tune was later adopted by Texas A&M for their Aggie War Hymn , the words of which were written in 1918 by J.V. "Pinky" Wilson , while he was serving in France during World War I .
"Coney Island Baby" by Lou Reed "Coney Island Baby" by Tom Waits "Coney Island Baby" (traditional) "Coney Island Ballet" by Vernon Duke and John La Touche "Coney Island Boat" (from the musical By the Beautiful Sea) "Coney Island Chaos" by The Fast "Coney Island Cyclone" by Mercury Rev "Coney Island Days" by Bruce Sudano "Coney Island Dreaming ...
Tom Waits was born and raised in a middle-class family in Pomona, California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk circuit. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records.
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
American singer-songwriter Tom Waits has a song called "Coney Island Baby," on his 2002 album Blood Money. He also references Coney Island in his songs "Table Top Joe" from the 2002 album Alice and "Take It With Me" from the 1999 album Mule Variations.
The music, for the most part, consists of Waits' gravelly, rough voice, set against a backdrop of piano, upright bass, drums and saxophone. Some tracks have a string section, whose sweet timbre is starkly contrasted to Waits' voice. "Tom Traubert's Blues" opens the album. Jay S. Jacobs has described the song as a "stunning opener [which] sets ...