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The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos ...
Garden of the Villa d'Este in Tivoli: transverse axis with fish ponds, Neptune fountain and a water organ. During the early 16th century, a notable Renaissance garden was established on the site of the current Belvedere courtyard and the Vatican Apostolic Library. This garden is regarded as the first example of a Renaissance garden, and its ...
Gardens of the Villa Aldobrandini (1598). The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos ...
An artificial waterfall is a water feature or fountain which imitates a natural waterfall. [1] Artificial waterfalls have long been featured in traditional Japanese gardens, where they can serve to highlight a scene or to provide focus. The classic gardening manual Sakuteiki, written in the mid-to-late 11th century, lists nine different types.
Gardens of the Château de Villandry View of the Diane de Poitiers' garden at the Château de Chenonceau Medici Fountain in the Jardin du Luxembourg, Paris. Gardens of the French Renaissance were initially inspired by the Italian Renaissance garden, which evolved later into the grander and more formal jardin à la française during the reign of Louis XIV, by the middle of the 17th century.
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