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The Capriccio for Piano Left-Hand and Chamber Ensemble (sometimes titled Defiance, in Czech: Vzdor) is a composition by the Czech composer Leoš Janáček.The work was written in the autumn of 1926 and is remarkable not just in the context of Janáček's output, but it also occupies an exceptional position in the literature written for piano played only by the left hand. [1]
The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.
Pages in category "Classical pianists who played with one arm" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes .
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This can include devices to create continuous sounds on the body of the piano, e.g. rubbing the surface of the piano with objects such as rubber balls, etc. flageolet: creating harmonics by touching overtone positions on the string with the finger of one hand and hitting the respective key with the other hand
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece ; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without ...
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Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...