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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
Antonio Vivaldi composed a Concerto in D major for Flute "Il Gardellino" (RV 428, Op. 10 No. 3), where the singing of the European goldfinch is imitated by a flute. An anonymous Italian Neapolitan poem titled Il Cardellino [ 31 ] was put to music by Saverio Mercadante and sung by Jose Carreras .
La cetra (Vivaldi) Il cimento dell'armonia e dell'inventione; Concerto alla rustica; Concerto for Two Cellos, RV 531; Concerto for Two Trumpets (Vivaldi) Concerto in C major, RV 558; Concerto in C major, RV 559
The Concerto alla rustica, unlike some other of Vivaldi's concertos, did not include a descriptive programme. [2] It was composed some time between mid-1720 and 1730, during which time Vivaldi was working on his Contest Between Harmony and Invention, Op. 8—the work from which his best-known set of compositions, The Four Seasons, derives.
This is a complete list of operas by Antonio Vivaldi (1678–1741). He claimed to have composed 94 operas, but fewer than 50 titles have been identified, of which the scores of only 20 or so survive, wholly or in part.
The cuckoo's well-known call is used in music by Beethoven, Delius, Handel, Respighi, Rimsky-Korsakov, Saint-Saëns, and Vivaldi. Engraving by John Gerrard Keulemans, 1873. Birdsong has played a role in Western classical music since at least the 14th century, when composers such as Jean Vaillant quoted birdsong in some of their compositions.
Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute (traverso and/or recorder) significantly in their works. [2] RV 433 was conceived as a concerto for transverse flute in D. [ 3 ] The first publication of the concerto, included as No. 1 in Vivaldi's Op. 10, VI Concerti a Flauto Traverso , was around ...
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