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At the time of El Greco's death his belonging included 115 paintings, 15 sketches and 150 drawings. In 1908 Manuel B. Cossio, who regarded El Greco's style as a response to Spanish mysticism, published the first comprehensive catalogue of his works. In 1937 a highly influential study by art historian Rodolfo Pallucchini had the effect of ...
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
El Greco was a nickname, [a] and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post ...
El Greco is not estranged to utilizing the underlayers of a painting for effect. In the portrait of Diego de Covarrubias y Leiva, El Greco directly applies lead white paint to the support while letting the bare canvas inform the values of the fabric. Note that this section is not coated by a similar ground which he employed in his portraiture.
The Laocoön is an oil painting created between 1610 and 1614 by Greek painter El Greco.It is part of a collection at the National Gallery of Art in Washington, D.C.. [1]The painting depicts the Greek and Roman mythological story of the deaths of Laocoön, a Trojan priest of Poseidon, and his two sons Antiphantes and Thymbraeus.
In late 2013 it was on temporary display at the Prado in Madrid (with the other El Grecos), following a period of cleaning and conservation work there; it was returned to Toledo in 2014. It is one of El Greco's most famous works. [1] A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain.
Portrait of Fernando Niño de Guevara is a 1600 painting of cardinal Fernando Niño de Guevara by El Greco, now in the Metropolitan Museum of Art in New York.. In the article, "Three Paintings by El Greco", Walter Liedtke theorizes that it was the nephew of Cardinal Guevara, Pedro Lasso, who commissioned his portrait.
The Assumption of the Virgin is an oil on canvas painting by Greek artist Doménikos Theotokópoulos, known as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. [1] It was the first of nine paintings that El Greco was commissioned to paint for this church. [2]
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