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2. Shōrin-zu byōbu - Wikipedia

   en.wikipedia.org/wiki/Shōrin-zu_byōbu

   The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...

3. Painting and Travel with Roger and Sarah Bansemer - Wikipedia

   en.wikipedia.org/wiki/Painting_and_Travel_with...

   A painting, in acrylics, of a lion which was once the mascot to Winston Churchill. Roger begins the painting in the Lightner Museum then totally reworks it later, in his studio. Sarah talks with the curator about the Lion and a desk owned by Louis Bonapartes brother.

4. Hasegawa Tōhaku - Wikipedia

   en.wikipedia.org/wiki/Hasegawa_Tōhaku

   Hasegawa Tōhaku (長谷川 等伯, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school. [2]He is considered one of the great painters of the Azuchi–Momoyama period (1573-1603), and he is best known for his byōbu folding screens, such as Pine Trees and Pine Tree and Flowering Plants (both registered National Treasures), or the paintings in walls and sliding ...

5. Three Friends of Winter - Wikipedia

   en.wikipedia.org/wiki/Three_Friends_of_Winter

   Kadomatsu (門松) decorative pillars for Japanese New Year, featuring branches of pine, bamboo and plum. The Three Friends are known as shōchikubai (松竹梅, lit. ' pine-bamboo-plum ') in Japan. [11] They are particularly associated with the start of the New Year, appearing on greeting cards and as a design stamped into seasonal sweets. [12]

6. The West Wind (painting) - Wikipedia

   en.wikipedia.org/wiki/The_West_Wind_(painting)

   The West Wind is a 1917 painting by Canadian artist Tom Thomson. An iconic image, the pine tree at its centre has been described as growing "in the national ethos as our one and only tree in a country of trees". [1] It was painted in the last year of Thomson's life and was one of his final works on canvas.

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