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Song of Love is a 1947 American biopic film about the relationship between renowned 19th-century musicians Clara Wieck Schumann (Katharine Hepburn) and Robert Schumann (Paul Henreid). The film, which also stars Robert Walker and Leo G. Carroll, was directed by Clarence Brown and released by Metro-Goldwyn-Mayer.
Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, [3] and Träumerei is the title of a 1944 German biographical film on Schumann. [4]
Song of Love may refer to: Song of love or love song, a song about falling in love; The Song of Love; Song of Love, a film starring Belle Baker and Ralph Graves; The Song of Love; Song of Love, a film starring Katharine Hepburn and Paul Henreid; A Song of Love (Un chant d'amour), a 1950 film by Jean Genet
This song, whose title means 'dedication', is famous for its lyrical expression of Schumann's love for Clara. It has been arranged several times, most famously by Liszt for solo piano, and it appears thematically in the biographical film Song of Love. [1] [2] 2. Freisinn; text by Goethe 3. Der Nussbaum; text by Julius Mosen 4.
"Song of Love" is a song recorded during an informal performance by Paul McCartney, singing and playing the piano at Twickenham Film Studios during the "Get Back Sessions" which were used to later produce both the Let It Be film and the album of the same name.
Op. 73, Fantasiestücke for Clarinet and Piano (1849) (Schumann directed that the clarinet part could be also performed on violin or cello) Op. 74, Spanisches Liederspiel: A Song-Cycle on Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano) (1849) Op. 75, Romanzen & Balladen volume II (5 songs for unaccompanied chorus) (1849)
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
The poem is an intimate treatment of the force of love poetry and song. Schumann's song in strophic form sets each stanza to the same melody, though the final strophe is modified. Schumann sets the words in the first stanza, "Lied, empfind' ich deinen Sinn!" ("Song, I can feel your meaning!"); Sams identifies this motif as a cryptogram for ...