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Bryter Layter is the second studio album by English folk singer-songwriter Nick Drake.Recorded in 1970 and released on 5 March 1971 by Island Records, it was his last album to feature backing musicians, as his next and final studio album, Pink Moon, had Drake perform all songs solo.
"Hazey Jane I" Nick Drake Joe Boyd Bryter Layter: 1971 [6] "Hazey Jane II" Nick Drake Joe Boyd Bryter Layter: 1971 [6] "Here Come the Blues" † Jackson C. Frank ‡ – Family Tree: 2007 [5] "Horn" Nick Drake John Wood Pink Moon: 1972 [11] "If You Leave Me" † Traditional arr. by Dave Van Ronk ‡ – Family Tree: 2007 [5] "Introduction" Nick ...
[19] Self-taught, [94] he achieved his guitar style through the use of alternative tunings to create cluster chords, [95] which are difficult to achieve on a guitar using standard tuning. Similarly, many of his vocal melodies rest on the extensions of chords, not just on notes of the triad. [95]
The Hazey Janes are an indie pop band from Dundee, Scotland. Background. The band consists of Andrew Mitchell (vocals, guitar, keyboard), Liam Brennan (drums, vocals ...
ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant substitute: ii– ♭ III + –I: 3: Mix. vii o 7 /V–V–I (common in ragtime) vii o 7 /V–V–I: 3: Major Andalusian cadence: iv–III– ♭ II–I: 4: PD Backdoor progression (front door is V7) ii– ♭ VII I: 3: Major Bird changes: I vii ø –III7 vi–II7 v–I7, IV7 iv ...
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Large symphonic chord voicings can be played on the chordboard [4] with 12 notes available for each of the seven chord zones (84 active notes total). Each white key on the MIDI keyboard used represents an individual note within a chord zone, and is mapped to a note within a harmonic chord voicing pattern programmed for each chord, according to major-minor tonality and a particular voicing ...