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Cylindrical vases and plates were popular because they maximized the surface area for storytelling through imagery on each piece. There was more evolution in pictorial representations than shapes. As the complexity of painting increased, vessel shapes remained fairly simple. [ 2 ]
The former Minnesota Stoneware Company building in Red Wing. Crock manufactured by the company. An offshoot of Red Wing Terra Cotta Works, the Minnesota Stoneware Company, was in production from 1880 to 1906, making a salt-glazed version of the pottery. It is one of the companies that merged to form Red Wing Union Stoneware Company. [1] [2]
The company sold basic table service sets for four, six and eight persons, made up of the usual dinner plate, salad plate, soup bowl, and cup and saucer. But, the promotion and presentation of Fiesta from the start was as a line of open-stock items from which the individual purchaser could choose to combine serving and place pieces by personal ...
In 1942, [6] after three years of experimentation, Gladding, McBean & Co. entered the fine china market with 14 patterns. The china was considered to have a medium to high cost. [ 7 ] The glaze for the fine china line was developed by Max Compton with the shapes and patterns designed by Mary K. Grant, the design staff, and by contract designers.
A stoup from brown Slivenec marble in the church in Dobřichovice [4]. Český Šternberk marble (šternberský mramor) from Český Šternberk, Benešov District: white ...
African Red Slip flagons and vases, 2nd-4th century AD A typical plain African Red Slip dish with simple rouletted decoration. 4th century. African red slip ware, also African Red Slip or ARS, is a category of terra sigillata, or "fine" Ancient Roman pottery produced from the mid-1st century AD into the 7th century in the province of Africa Proconsularis, specifically that part roughly ...
After several years of experiments, Wedgwood began to sell jasperware in the late 1770s, at first as small objects, but from the 1780s adding large vases. It was extremely popular, and after a few years many other potters devised their own versions. Wedgwood continues to make it into the 21st century.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
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