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Pietà or The Dead Christ Supported by the Virgin Mary and Saint John the Evangelist is a painting in tempera on panel of c. 1465–1470 by the Italian Renaissance artist Giovanni Bellini, now in the Pinacoteca di Brera in Milan.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499. Crowned by the Pontifical decree of Pope Urban VIII in 1637. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
The scene of the Pietà was depicted by Perugino under a portico, a typical theme of his art in the 1480s and 1490s (used for example in the Albani-Torlonia Polyptych of the Madonna with Child Enthroned between Saints John the Baptist and Sebastian). The serene landscape with light trees is also common in his paintings of the period.
The Spello Pietà is a fresco of the Pietà by Perugino executed in 1521–1522. It also shows John the Apostle and Mary Magdalene kneeling either side of the Virgin Mary. It is now sited in the left transept of the Chiesa Santa Maria Maggiore in Spello , but its origins are unknown.
Museo Real de Pinturas a la muerte de Fernando VII. 1834, 156; Catalog Museo del Prado, 1854-1858, 1546; Catalog Museo del Prado, 1872-1907, 1333; L'opera completa di Van Dyck, 649; Alle tot nu toe bekende schilderijen van Van Dyck, 690; RKDimages ID: 232416 ; Museo del Prado artwork ID: f89676d9-34cc-46d9-b232-571faf9894ba
The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons ...
The Pietà or Sexta Angustia (1616 - 1619) is a work of Baroque sculpture by Gregorio Fernández, housed in the National Museum of Sculpture in Valladolid, Spain. The statue was commissioned by the Illustrious Penitential Brotherhood of Our Lady of Anguish. It is one of the best known of the five sculptures of the same theme by the artist.
Pietà (c. 1460) by Cosmè Tura. Pietà is a tempera on panel painting by Cosmè Tura, measuring 47.7 cm by 33.5 cm.It is now in the Museo Correr in Venice, to which it was bequeathed with the rest of the collection of Teodoro Correr on 1 January 1830. [1]