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Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Lưu Hữu Phước attend the Petrus Ký highschool in Saigon (now is the Lê Hồng Phong High School for the Gifted) in about 1935. He met Mai Văn Bộ and Huỳnh Văn Tiểng and they quickly became closes friends. They were later known as "the trio of Hoàng–Mai–Lưu" and collaborated in many music projects.
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
He was the son of Ngô Mân, an influential official in Phong, Annan (today Phu Tho province). [3] Ngô Mân's ancestor was Wu Ridai (Ngô Nhật Đại), a local tribal chief from Fuluzhou, Annan (Modern-day Ha Tinh Province). [4] In 722, Wu Ridai and his family migrated to Aizhou (Modern-day Thanh Hoa Province) after the defeat of Mai Thúc Loan.
New Poetry Movement (Vietnamese : Phong-trào Thơ-mới) was a literary movement in 1930s colonial Vietnam, abandoning the stylized forms of Chinese-influenced poetry in Hán-Nôm for free verse in Latin-alphabet Quốc ngữ. [1] [2]
Paleolithic: Sơn Vi culture: 20,000 BC–12,000 BC: Mesolithic: Hoabinhian: 12,000 BC–10,000 BC: Neolithic: Bắc Sơn culture: 10,000 BC–8,000 BC: Quỳnh Văn ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...