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Ahmad Sadali (24 Juli 1924 – 19 September 1987) [1] comes from a family with diversified batik and printing businesses. He was an Indonesian painter and art lecturer who is well-known for his abstract art, especially Abstract expressionism, and Cubism [2] and Color field painting.
In 1929, Yong Mun Sen was the vice president of Singapore Society of Chinese Artists (SOCA). [3]He also proposed to establish a fine arts school, now known as Nanyang Academy of Fine Arts (NAFA).
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Djoko Pekik (2 January 1937 – 12 August 2023) was an Indonesian artist known for his achievements in painting and sculpture. His artistic prominence flourished during the dynamic period of the 1960s.
Syed Thajudeen Shaik Abu Talib (born 23 August 1943) is a Malaysian painter. [2] He is known for his large scale mural paintings of epic proportions set in period landscapes.
Lee Man Fong (Chinese: 李曼峯; pinyin: Lǐmǐnfēng; Jyutping: lei5 man5 fung1; November 14, 1913 – April 3, 1988) was a painter born in Guangzhou, China.His father, a merchant with ten children, brought him to Singapore.
Wang adopted the courtesy name Mojie and signed many of his works "Wang Weimojie". Wei-mo-Jie (維摩詰) was a reference to Vimalakirti, the central figure of the Buddhist sutra by the same name. [3]
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat.Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. [1]