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Sonnet 116 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Illustration, c. 1901, by W. E. F. Britten.. Sir Galahad is a poem written by Alfred Tennyson, 1st Baron Tennyson, and published in his 1842 collection of poetry.It is one of his many poems that deal with the legend of King Arthur, and describes Galahad experiencing a vision of the Holy Grail.
The eponymous phrase itself appears in Aphorism 35 (originally conceived as the first aphorism) "when Nietzsche observes that maxims about human nature can help in overcoming life's hard moments". Implicit also, is a drive to overcome what is human, all too human through understanding it, through philosophy.
In fact, people who love their work may not always do a better job, and they are more critical and selective of both the work they do and with whom they work. You can perform high-quality work ...
A Day-dream. ('My eyes make pictures,' &c.) "My eyes make pictures, when they are shut:" 1802 1828 Answer to a Child's Question "Do you ask what the birds say? The Sparrow, the Dove," 1802 1802, October 16 The Day-dream. From an Emigrant to his Absent Wife "If thou wert here, these tears were tears of light!" 1801-02 1802, October 19 The Happy ...
Watching a Christmas movie over the holidays is much like hearing Mariah Carey playing on the radio: it's inevitable. That said, few things capture the spirit of the season better than a festive ...
"Love means never having to say you're sorry" is a catchphrase based on a line from the Erich Segal novel Love Story and was popularized by its 1970 film adaptation starring Ali MacGraw and Ryan O'Neal. The line is spoken twice in the film: once in the middle of the film, by Jennifer Cavalleri (MacGraw's character), when Oliver Barrett (O'Neal ...
My most full flame should afterwards burn clearer. But reckoning Time, whose million’d accidents Creep in ’twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp’st intents, Divert strong minds to the course of altering things; Alas, why, fearing of Time’s tyranny, Might I not then say “Now I love you best,”