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Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir , which may sing a cappella or accompanied by an organ .
SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem. [6] or SSATB, with divided sopranos, is a typical scoring in English church music. [5]: 322 [7] A listing for Bach's Mass in B minor includes the maximum of SSATB soloists and SSAATTBB eight-part choir and also indicates that it contains choral movements for ...
Three Shakespeare Songs is a piece of classical choral music written for an a cappella SATB choir. It was written in 1951 by the British classical composer Ralph Vaughan Williams. The work comprises three short pieces which are settings of text from two plays by the English playwright William Shakespeare. It is published by Oxford University Press.
Here is the little door for SATB unaccompanied (1918) Haec Dies for SATB unaccompanied (MS dated 1918) A Spotless Rose for SATB unaccompanied (1919) Blessed are the Dead − motet for double choir SATB.SATB unaccompanied (1920; unfinished - completed by Patrick Russill) A Golden Lullaby − Unison song for voices and piano (1920)
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Rutter chose the text, "mingling the heart and mind of worship music", well for a school of church music. [2] In the four-part version, the soprano alone presents the first part of the text. "I will sing" leaps up a sixth to a long note on "sing", in a first repeat even up an octave , followed by a sequence of "alleluia".
Church Music in the Nineteenth Century, in series, Studies in Church Music. New York: Oxford University Press, 1967. 166 p. Robin Sheldon, ed. In Spirit and in Truth: Exploring Directions in Music in Worship Today. London: Hodder & Stoughton, 1989. x, 198 p. ISBN 0-340-48715-1
Marked "Andante espressivo", the music is in G-flat major and common time. It takes about 2 + 1 ⁄ 2 minutes to perform. Rutter also wrote an arrangement for soprano, alto and keyboard in F major [4] and a version for choir and orchestra. [2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple.
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