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The banjo ukulele neck typically has sixteen frets, and is the same scale length as a soprano or, less commonly, concert or tenor-sized ukulele. Banjo ukuleles may be open-backed, or may incorporate a resonator. Banjo ukulele heads were traditionally made of calf skin, but most modern instruments are fitted with synthetic heads. Some players ...
The Venezuelan cuatro is a member of the guitar family, smaller in size and with four nylon strings. It is similar in size and construction to the ukulele. The traditional "Camburpinton" tuning is re-entrant (A 3 –D 4 –F ♯ 4 –B 3), but with the re-entry between the second and first strings, rather than between third and fourth as in the ...
Also common are tuning one octave below standard violin tuning, G 2 −D 3 −A 3 −E 4, which is typical of the tenor banjo in Irish folk music or "octave mandolin," and the so-called "Chicago tuning", D 3 −G 3 −B 3 −E 4, the same as the top four strings of a standard guitar, or the "baritone ukulele," a slightly smaller instrument ...
Banjo ukulele, banjo uke, banjelele, banjulele US Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ...
The Tahitian ukulele (ʻukarere or Tahitian banjo) is a short-necked fretted lute with eight nylon strings in four doubled courses, native to Tahiti and played in other regions of Polynesia. This variant of the older Hawaiian ukulele is noted by a higher and thinner sound and an open back, [ 1 ] and is often strummed much faster.
Another common tuning for the soprano ukulele is the higher string-tension D 6 tuning (or simply D tuning), A 4 –D 4 –F ♯ 4 –B 4, one step higher than the G 4 –C 4 –E 4 –A 4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music ...
violin, cello, mandolin, tenor banjo: Repetition: No: Advantages: Wide range; natural for concert stringed-instrument music: Disadvantages: Difficult to play standard-guitar music: Left-handed tuning: All-fourths tuning: Associated musician; Guitarist: Carl Kress: Carl Kress played jazz with all-fifths tuning. Regular tunings ; Trivial : Minor ...
He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.