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It was painted in Rome for Prince Lorenzo Onofrio Colonna (1637–1689), Claude's most important patron in his last years, and is now in the Ashmolean Museum, Oxford. It is signed, dated with the year, and inscribed with the subject (at centre bottom), as Claude sometimes did with his less common subjects. [1]
The Griot Museum of Black History: St. Louis Place: African-American: Life-size wax figures, art, artifacts and memorabilia to interpret the stories of important African Americans with a regional connection; formerly the Black World History Museum HealthWorks! Kids' Museum St. Louis: Forest Park: Children's: website: Inside the Economy Museum ...
View of the Eads Bridge under construction in 1870, listed as a St. Louis Landmark and National Historic Landmark St. Louis Landmark is a designation of the Board of Aldermen of the City of St. Louis for historic buildings and other sites in St. Louis, Missouri. Listed sites are selected after meeting a combination of criteria, such as whether the site is a cultural resource, near a cultural ...
The Ashmolean Museum of Art and Archaeology (/ æ ʃ ˈ m oʊ l i ən, ˌ æ ʃ m ə ˈ l iː ən /) [2] on Beaumont Street in Oxford, England, is Britain's first public museum. [3] Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677.
Sir Karl Theodore Parker, CBE, FBA (2 July 1895 – 22 July 1992), occasionally known as KTP, was an English art historian and museum curator.He was Keeper of the Ashmolean Museum, Oxford from 1945 to 1962 and Trustee of the National Gallery from 1962 to 1969.
Beazley retired in 1956, but continued to work until his death in Oxford, on 6 May 1970. [2] His personal archive was purchased by the University of Oxford in 1964. It was originally accommodated in the Ashmolean Museum, but in 2007 it moved into the Ioannou Centre for Classical and Byzantine Studies as part of the new Classical Art Research Centre.
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