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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
Template Gothic is an experimental, sans-serif typeface designed by Barry Deck in 1989. [ 1 ] [ 2 ] It was not commercially released until type designer Rudy VanderLans was exposed to the font, when Deck's California Institute of the Arts graduate class visited his studio. [ 3 ]
This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art , especially in textiles , tiles , and wallpaper .
Design for a display case, by Thomas Chippendale, c.1753–1754, black ink and gray wash, Metropolitan Museum of Art, New York City Chair from the Gothic Cabinet of the Osmond Countess, by François-Honoré-Georges Jacob-Desmalter , c. 1817-1820, gilt wood, Petit Palais , Paris
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Template documentation This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title bar; if not, it is fully visible.
Alternate Gothic was designed by Morris Fuller Benton for A.T.F. in 1903. It is essentially a moderately bold condensed version of Franklin Gothic, made in three numbered widths - No.1 is the most condensed, 3 the least. One feature that sets it apart from Franklin Gothic is the absence of a bottom serif on the digit 1, like in Akzidenz-Grotesk.
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