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Aurelio Ángel Baldor de la Vega (October 22, 1906, Havana, Cuba – April 2, 1978, Miami) was a Cuban mathematician, educator and lawyer. [1] Baldor is the author of a secondary school algebra textbook, titled Álgebra, used throughout the Spanish-speaking world and published for the first time in 1941.
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The Spanish Royal Academy of Sciences (Spanish: Real Academia de Ciencias Exactas, Físicas y Naturales) [1] is an academic institution and learned society that was founded in Madrid in 1847. It is dedicated to the study and research of mathematics, physics, chemistry, biology, engineering, and related sciences.
Maria Antònia Canals (15 November 1930 – 29 April 2022) [1] was a Spanish mathematician. Her work in recreational mathematics served as the basis for the eponymous Canals Project. Among other honors, she has been awarded the Creu de Sant Jordi and the Medal of Honor of Barcelona [ ca ] .
The Institute of Mathematical Sciences (Spanish: Instituto de Ciencias Matemáticas – ICMAT) is a mixed institute affiliated to the Spanish National Research Council (CSIC) in partnership with three public universities: the Autonomous University of Madrid (UAM), the Charles III University of Madrid (UC3M) and the Complutense University of Madrid (UCM).
Los Pollitos Dicen ("Little Chickens") is a classic Spanish Nursery Rhyme De juego, and also falls under the Nana or Cancion de cuna category. Many spanish speaking countries lay claim to this song such as Ecuador and Spain, but its author is the Chilean musician and poet Ismael Parraguez. [2]
The romance (the term is Spanish, and is pronounced accordingly: Spanish pronunciation:) is a metrical form used in Spanish poetry. [1] It consists of an indefinite series ( tirada ) of verses, in which the even-numbered lines have a near-rhyme ( assonance ) and the odd lines are unrhymed.
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]