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In June 2005, Macrovision sued Sima Products under section 1201 of the DMCA, claiming that Sima's video processors provided a way to circumvent Macrovision's analog copy protection. Sima received an injunction barring the sale of this device, [ 6 ] but the parties ultimately settled without a judgment on the legal issues.
The backside of the iPhone 16 Pro in Desert Titanium. The iPhone 16 Pro models continue the edge-to-edge display design but introduce thinner display borders, giving them the thinnest borders of any Apple product to date; iPhone 16 Pro and iPhone 16 Pro Max feature larger 6.3-inch and 6.9-inch Super Retina XDR OLED displays, respectively, with iPhone 16 Pro Max offering the largest iPhone ...
On 1 April 2008, Macrovision sold its software division to the Thoma Bravo investment fund, [1] which became Acresso Software. Macrovision subsequently changed its name to Rovi Corporation . In October 2009, Acresso Software, Inc. became Flexera Software after a legal threat from Agresso Software.
TiVo Corporation, formerly known as the Rovi Corporation and Macrovision Solutions Corporation, was an American technology company headquartered in San Jose, California. Now operating as Xperi , the company is primarily involved in licensing its intellectual property within the consumer electronics industry, including digital rights management ...
SafeDisc is a copy protection program for Microsoft Windows applications and games distributed on optical disc.Created by Macrovision Corporation, it was aimed to hinder unauthorized disc duplication.
The Ciro-flex was widely accessible, inexpensive, and produced high quality images. [13] Models with the Mamiya, Minolta and Yashica brands are common on the used-camera market, and many other companies made TLRs that are now classics. The Mamiya C series TLRs had interchangeable lenses, allowing focal lengths from 55 mm (wide angle) to 250 mm ...
Arriflex 416 is a motion picture camera product line created by Arri in 2006. This camera line was introduced in large part to accommodate new lenses of larger diameter that physically interfered with the Arri 16 SR3 viewfinder. The 416 camera series is designed for 16mm filmmaking in the Super 16 format.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.